|
Film semiotics is the semiotics of film; the study of signs as they pertain to film on a variety of levels. == Early semioticians of film == Ricciotto Canudo – Italian writer working in the 1920s, identified “''language-like character of cinema''”.〔Stam, R., Burgoyne, R., & Lewis, S. (1992). New vocabularies in film semiotics: structuralism, post-structuralism, and beyond. London: Routledge.〕 Louis Delluc – French writer, working in the 1920s, wrote of the ability of film to transcend national language.〔 Vachel Lindsay – referred to film as “''hieroglyphic language''”.〔 Bela Balazs – Hungarian film theorist who wrote about language-like nature of film from the 1920s to the 1940s.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Film semiotics」の詳細全文を読む スポンサード リンク
|